LARGE FORMAT LENSES

If you are looking for something not found in the options listed below we have the ability to sub-rent and acquire any lenses you need for your next project…so please don’t hesitate to contact us for anything you wish to hire.

LEITZ HUGO LENS SET

  • • 21mm T1.5
    • 24mm T1.5
    • 28mm T1.5
    • 35mm T1.5
    • 50mm T1.5
    • 75mm T1.5
    • 90mm T1.5
    (ADDITIONAL) 50mm NOCTILUX-M T1.0

    The Leitz HUGO lenses are designed to be small, fast, lightweight, and as close focusing as possible. Building on the popularity of the Leitz M 0.8 series, the Leitz HUGO lenses use the same Leica M optics, but feature a completely new housing design and build quality to match existing Leitz cinematography lenses. The lenses have an LPL mount and the traditional cine orientation of focus and iris scales with expanded focus scales. They feature a 270° rotation, and greatly increased close focus ability.

TLS CANON RANGEFINDER LENS SET

  • • 19mm T4
    • 25mm T1.8
    • 35mm T1.6
    • 50mm T1.1
    • 58mm T1.4
    • 85mm T1.9
    • 100mm T2.1
    • 135mm T2.8

    These lenses have been completely rehoused by TLS, featuring 110mm fronts, matching gear positions, new matte-finished 16 blade circular irises, greatly improved close focus, and LPL mounts. The reason for LPL is that the Dream Lens’ optics will not fit inside a PL mount without altering the original optical design of the lens, and therefore sacrificing what makes the lens so special. The lenses match sharpness, contrast, bokeh, and flare character throughout the set.

LAOWA PRO2BE 24MM T8 2X PROBE LENS SET

  • • 24mm T8.0 -DIRECT VIEW
    • 24mm T8.0 -35° VIEW
    • 24mm T8.0 – PERISCOPE VIEW

    The Laowa 24mm T8 2X Pro2be is the perfect combination of versatility and innovation. The lens kit comes in 3 unique lenses including the unique 35-degree tilt view. The Pro2be offers a maximum T8 aperture, 2X magnification and waterproof distance of 36.6cm, pairing perfectly with your high-speed cameras and motion-control system. The distinctive tubular and smartly twisted lens barrels offer maximum flexibility to explore new perspectives and new heights.

MASTERBUILT CLASSIC SERIES PRIMES

  • • 18mm T1.4
    • 25mm T1.4
    • 35mm T1.4
    • 40mm T1.4
    • 50mm T1.4
    • 65mm T1.4
    • 85mm T1.4
    • 105mm T1.4

    The MasterBuilt Classic Series Lenses have been designed to produce images of vintage personality throughout large format cinematography. Built to exacting specifications, the MasterBulit lenses maintain superior centre sharpness, while gradually building softness and glowing beauty throughout the frame. Each lens maintains a super-fast T1.4 aperture throughout the entire focal range, making it effortless to shoot in professional settings were swapping lenses and shooting matching coverage becomes crucial.

TLS ReHoused K35 Lens SeT

  • • 24mm T1.6
    • 35mm T1.4
    • 55mm T1.4
    • 85mm T1.4
    • TLS Canon FD 20mm T2.8
    • TLS Canon FD 135mm T2.0

    Canon K35s are the perfect combination of amazing performance and unique character. They are low contrast, have a gentle focus fall-off, and produce gorgeous pastel skin tones. They cover Full Frame, they are high speed lenses, have excellent close-focus and their 15-blade iris means your bokeh is always a soft circular shape. They are also one of the best performing vintage super speed lenses when shot wide-open thanks in large part to their aspherical designs.

ARRI SIGNATURE PRIME LENS set

  • • 21mm T1.8
    • 25mm T1.8
    • 35mm T1.8
    • 47mm T1.8
    • 58mm T1.8
    • 75mm T1.8
    • 95mm T1.8
    • 125mm T1.8

    While the Signature Primes exemplify state-of-the-art optical precision, they have been designed to render organic, emotionally engaging images, gently softening, and texturizing the large format with natural skin tones and creamy bokeh. A fast T-stop of T1.8 facilitates shallow depth of field and the smooth focus fall-off which gives subjects heightened presence in the frame. The ARRI Signature Prime range is the first cine lens series to feature machined magnesium lens barrels, making the optics incredibly lightweight and robust.

ZEISS SUPREME PRIME LENS set

  • • 15mm T1.8
    • 21mm T1.5
    • 25mm T1.5
    • 29mm T1.5
    • 35mm T1.5
    • 50mm T1.5
    • 85mm T1.5
    • 100mm T1.5

    Consistency is one of the key elements offered by the ZEISS Supreme Prime lenses: that means consistent coverage, colour rendering, aperture, size, weight, and ergonomics. All the lenses across the family cover full frame and even bigger sensors with an image circle of 46.2 mm. The Supreme Prime lenses are colour matched across the full range and most feature a fast T-stop of T1.5. The small front diameter of 95mm on almost all lenses and standardized positioning of the focus and iris rings across the whole family facilitate fast and easy equipment changeout. The compact and lightweight design means you enjoy easy and comfortable handling.

Leitz THALIA LENS set

  • • 30mm T2.9
    • 35mm T2.6
    • 45mm T2.9
    • 70mm T2.6
    • 100mm T2.2
    • 180mm T3.6

    The Leitz Thalia prime lenses offer a consistently cinematic look and feel throughout the range. These PL mount lenses are incredibly lightweight and compact with a matched diameter of 95mm. The unique always-round iris design creates a bokeh that is smooth, distinct, and full of character. And although these are not vintage lenses, the Leitz Thalia’s offer many of the characteristics that have led cinematographers to pair older lenses with digital sensors. They are smooth, forgiving, and clear without being overly sharp.

GL OPTICS CANON FD VINTAGE LENS SET

  • • 20mm T2.9
    • 20mm T2.9
    • 24mm T1.5
    • 35mm T2.1
    • 45mm (YASHICA LENS) T1.5
    • 55mm T1.3
    • 85mm T1.3
    • 135mm T2.1

    The Canon FD ASPH Lenses incorporate a floating element design and aspherical glass for sharp images, and close-range correction. These lenses are very similar in character, personality, and sharpness to our TLS Canon K35 prime lenses. Out of focus highlights and bokeh are extremely pleasing, while offering an outstanding sharpness throughout the frame. The Canon VINTAGE-FD lenses help digital sensors achieve character and a “look” that is flattering to flesh tones and out of focus objects.

GL OPTICS ZEISS CONTAX VINTAGE LENS SET

  • • 15mm T3.6
    • 21mm T2.9
    • 28mm T2.1
    • 35mm T1.5
    • 50mm T1.5
    • 85mm T1.3
    • 100mm T2.1
    • 135mm T2.1

    The Zeiss Contax lenses have fantastic qualities found nowhere else. Built from 1974 onwards they are famed as being beautifully ‘soft’ and favourably ‘sharp’ lenses. This lens set has been exceptionally re-housed by GL Optics. They have a great organic character and offer outstanding image quality throughout the focal range.

Leitz R VINTAGE SET

  • • 19mm T2.8
    • 28mm T2.8
    • 35mm T1.4
    • 50mm T1.4
    • 80mm T1.4
    • 135mm T2.8

    The Vintage Leitz “R” lens set represents a unique combination of sharpness, creamy fall-off, and perfect bokeh elements. With today’s digital sensors, the lens becomes the predominant factor in the pictures look (or quality). The Vintage Leitz “R” lenses give a quality that help gain personality and favourable characteristics, especially in flesh tones.

COOKE 1.8x ANAMORPHIC SET

  • • 40mm T2.3
    • 50mm T2.3
    • 75mm T2.3
    • 100mm T2.3
    • 85mm MACRO T2.9
    • 135mm T2.3

    These Full Frame 1.8x Cooke anamorphic primes are the next evolution in Full Frame lensing. Blending the classic “Cooke Look” characteristics with a 1.8x squeeze factor, that perfectly covers the 36x24mm Full Frame format, there is no denying that these lenses are the pinnacle of lens design. With a 1.8x squeeze factor, these lenses allow for more use of your full frame camera imager than a 2x anamorphic, meaning an additional 20% in usable resolution on average. With the 1.8x squeeze, you also don’t have to compromise, as these lenses feature all the anamorphic characteristics that we all love, such as oval bokeh and beautiful flares.

Cooke FF Panchro Lens Set

  • • 21mm T2.2
    • 25mm T2.0
    • 32mm T2.0
    • 40mm T2.0
    • 50mm T2.0
    • 65mm MACRO T2.4
    • 75mm T2.0
    • 100mm T2.6

    The optics are designed to give maximum performance at full aperture with superior control of flare, distortion, and spherical aberration. The Academy Award® winning cam-style focus movement coupled with the added benefit of a large lens barrel diameter, allows for an increased number of focus markings, particularly at close focus. All Panchro/i Classic prime lenses are colour balanced, colour matched and compatible with other Cooke Lenses.

LAOWA PROBE 24MM LENS

  • • The probe will cover both standard 35mm full frame & Super35 image sensor

    • An extremely long and narrow waterproof front barrel

    • The wide angle design provides a greater depth of field at a close distance

    Capable of focussing from 2:1 macro to infinity with an incredible 85° field of view creating a unique ‘Bug Eye’ perspective, this 'Cine Mod' version PL mount lens is the ultimate macro lens for when you need to shoot in those hard to reach places.

LAOWA 2.0 PERIPROBE 24MM LENS 

  • • The new Periprobe inherits all the features from the old probe lens.

    • It features 85° AoV with a periscope

    • Users can easily switch the 90° periscope back to the 0° straight scope

    2x magnification allows for capturing subjects of different sizes with incredible detail. Users can poke the long and waterproof barrel into tight spaces and even underwater to obtain a unique perspective. The lens can rotate 360° along the axis by using the clutch mechanism to unlock the orientation ring. An LED Ring Lite provides a light source super close to the subject.

IBE PL FF EXTENDER

  • • The PLx2 VV Optical Extender doubles the focal length of Vista Vision Format PL mount lenses

    • Due to its compact optical and mechanical design, the PLx2 VV is compatible with a wide range of lenses

    The PLx2 VV features high-index, low-dispersion glass to ensure the highest possible resolution and contrast with minimal optical degradation. In doubling the image size, the transmitted light is spread over four times the area, decreasing the brightness by two f-stops. The optical design has been optimized for modern lenses and digital cameras and the maximum input T-stop is 1.9.