SUPER 35 LENSES

If you are looking for something not found in the options listed below we have the ability to sub-rent and acquire any lenses you need for your next project…so please don’t hesitate to contact us for anything you wish to hire.

ARRI / ZEISS MASTER PRIME

  • • 18mm T1.3
    • 25mm T1.3
    • 32mm T1.3
    • 40mm T1.3
    • 50mm T1.3
    • 65mm T1.3
    • 75mm T1.3
    • 100mm T1.3

    The Master Prime Lenses are both fast and have exceptional optical performance. The entire range of Master Primes exhibits virtually no breathing, contrast shift, or colour shift between lenses. These lenses incorporate an iris with at least nine blades for cinematic-looking bokeh with a distinct focus fall-off.

ZEISS SUPER SPEEDS MKIII

  • • 18mm T1.3
    • 25mm T1.3
    • 35mm T1.3
    • 50mm T1.3
    • 85mm T1.3

    This third generation of lenses were updated with a much improved mechanical design. Focus scales on the MKIII Lenses are much larger and have integrated focus gears of 0.8 Module pitch. All MK III “Super Speeds” feature uniform 80mm front diameters, a compact, lightweight design and a fast T1.3 aperture. The MK III’s feature characteristics akin to other Zeiss lenses such as good contrast, high resolution, and neutral colour rendering.

LAOWA PRO2BE 24MM T8 2X PROBE LENS SET

  • • 24mm T8.0 -DIRECT VIEW
    • 24mm T8.0 -35° VIEW
    • 24mm T8.0 – PERISCOPE VIEW

    The Laowa 24mm T8 2X Pro2be is the perfect combination of versatility and innovation. The lens kit comes in 3 unique lenses including the unique 35-degree tilt view. The Pro2be offers a maximum T8 aperture, 2X magnification and waterproof distance of 36.6cm, pairing perfectly with your high-speed cameras and motion-control system. The distinctive tubular and smartly twisted lens barrels offer maximum flexibility to explore new perspectives and new heights.

TLS REHOUSED CANON K35 LENS SET

  • • 24mm T1.6
    • 35mm T1.4
    • 55mm T1.4
    • 85mm T1.4
    • TLS Canon FD 20mm T2.8
    • TLS Canon FD 135mm T2.0

    Canon K35s are the perfect combination of amazing performance and unique character. They are low contrast, have a gentle focus fall-off, and produce gorgeous pastel skin tones. They cover Full Frame, they are high-speed lenses, have excellent close-focus and their 15-blade iris means your bokeh is always a soft circular shape. They are also one of the best performing vintage super speed lenses when shot wide-open thanks in large part to their aspherical designs.

Leitz SUMMILUX-C LENS SET

  • • 18mm T1.4
    • 25mm T1.4
    • 35mm T1.4
    • 40mm T1.4
    • 50mm T1.4
    • 75mm T1.4
    • 100mm T1.4

    The SUMMILUX-C lenses allow the subject to be captured as you see it without significant colour temperature shifts or loss of clarity. All colours retain their natural look and feel with special care being shown to skin tones to keep them humane but without looking over sharp or flat. It’s a characteristic called creamy sharpness that can be seen as well as felt in an image. At T 1.4 and averaging only 1.7 kg per lens, the SUMMILUX-C lenses are the smallest set of fast-aperture, purpose-built prime lenses available for cinematography.

Leitz SUMMICRON-C Lens set

  • • 18mm T2.0
    • 21mm T2.0
    • 25mm T2.0
    • 29mm T2.0
    • 35mm T2.0
    • 40mm T2.0
    • 50mm T2.0
    • 75mm T2.0
    • 100mm T2.0
    • 135mm T2.0

    With minimal breathing and very low chromatic aberration, the Leitz SUMMICRON-C lens range offers high performance, traditional spherical design in a compact package, while not sacrificing performance. These lenses are T2 across the range and have a large image circle. These are one of the few sets to cover the large S35 sensors of RED, Sony and ARRI.

COOKE S4 PRIME LENS SET

  • • 18mm T2.0
    • 21mm T2.0
    • 25mm T2.0
    • 32mm T2.0
    • 40mm T2.0
    • 50mm T2.0
    • 65mm T2.0
    • 75mm T2.0
    • 100mm T2.0
    • 135mm T2.0

    Cooke S4 optics offer superb optical and mechanical performance with control of flare, distortion, veiling glare, and spherical aberrations at full aperture ensuring the Cooke Look remains true across the focal lengths. The cam-type focus mechanism allows for smooth focus adjustments. These lenses are T2.0 across our range and are also colour-matched and compatible with Cooke S5i’s and the Anamorphic/i range of lenses.

COOKE 5i PRIME LENS SET

  • • 18mm T1.4
    • 25mm T1.4
    • 32mm T1.4
    • 40mm T1.4
    • 50mm T1.4
    • 65mm T1.4
    • 75mm T1.4
    • 100mm T1.4

    See in the dark like never before with T1.4 speed and a focus ring that illuminates when you need it. The Cooke S5i’s have superior optical and mechanical performance with control of flare, distortion, veiling glare and spherical aberrations at full aperture ensuring the Cooke Look remains true across the focal lengths. The /i Technology collects detailed lens data for production, VFX and post-production teams. The Cooke S5i’s are colour matched and compatible with Cooke S4’s and many other Cooke lenses.

ARRI/ZEISS ULTRA PRIMES

  • • 10mm T2.1
    • 14mm T1.9
    • 16mm T1.9
    • 20mm T1.9
    • 24mm T1.9
    • 28mm T1.9
    • 32mm T1.9
    • 40mm T1.9
    • 50mm T1.9
    • 65mm T1.9
    • 85mm T1.9
    • 100mm T1.9
    • 135mm T1.9

    ARRI / ZEISS Ultra Prime Lenses have the widest focal range of prime lenses giving you the flexibility to get the coverage you want. The Ultra Prime lenses are lightweight standard speed lenses that are a perfect optical match to the high-speed ARRI / ZEISS Master Prime lenses. They have been developed in a cooperation of ARRI and ZEISS. The Ultraprime lenses have well controlled distortion and breathing and have superior close focus capability.

GL OPTICS CANON FD VINTAGE LENS SET

  • • 20mm T2.9
    • 24mm T1.5
    • 35mm T2.1
    • 45mm (YASHICA LENS) T1.5
    • 55mm T1.3
    • 85mm T1.3
    • 135mm T2.1

    The Canon FD ASPH Lenses incorporate a floating element design and aspherical glass for sharp images and close-range correction. These lenses are very similar in character, personality, and sharpness to our TLS Canon K35 prime lenses. Out of focus highlights and bokeh are extremely pleasing, while offering an outstanding sharpness throughout the frame. The Canon VINTAGE-FD lenses help digital sensors achieve character and a “look” that is flattering to flesh tones and out of focus objects.

GL OPTICS ZEISS CONTAX VINTAGE LENS SET

  • • 15mm T3.6
    • 21mm T2.9
    • 28mm T2.1
    • 35mm T1.5
    • 50mm T1.5
    • 85mm T1.3
    • 100mm T2.1
    • 135mm T2.1

    The Zeiss Contax lenses have fantastic qualities found nowhere else. Built from 1974 onwards they are famed as being beautifully ‘soft’ and favourably ‘sharp’ lenses. This lens set has been exceptionally re-housed by GL Optics. They have a great organic character and offer outstanding image quality throughout the focal range.

COOKE 2x ANAMORPHIC SET

  • • 25mm T2.3
    • 40mm T2.3
    • 50mm T2.3
    • 75mm T2.3
    • 100mm T2.3
    • 135mm T2.3

    Cooke Anamorphic /i 2x prime lenses are designed to cover the super 35 format and provide the classic anamorphic lens characteristics sought after by many filmmakers. The Anamorphic /i lenses incorporate the trademark “Cooke Look”, offering superb optical and mechanical performance. Distortion, veiling glare, flares, and all aberrations are controlled at all apertures over the whole field of view.

KOWA ANAMORPHIC LENS SET

  • • 40mm T2.3
    • 50mm T2.3
    • 75mm T2.5
    • 100mm T3.4

    The Kowa Prominar Anamorphics are Japanese Anamorphic lenses from the 1960’s. The flare is warm in colour rather than the standard blue anamorphic flare. The set has been updated by P+S Technik to have a uniform 80mm front, allowing for ease of use with matte boxes, both production and clamp on, in addition to having standard cine 0.8 pitch gear rings installed.

LAOWA PROBE 24MM LENS

  • • The probe will cover both standard 35mm full frame & Super35 image sensor

    • An extremely long and narrow waterproof front barrel

    • The wide angle design provides a greater depth of field at a close distance

    Capable of focussing from 2:1 macro to infinity with an incredible 85° field of view creating a unique ‘Bug Eye’ perspective, this 'Cine Mod' version PL mount lens is the ultimate macro lens for when you need to shoot in those hard to reach places.

LAOWA 2.0 PERIPROBE 24MM LENS 

  • • The new Periprobe inherits all the features from the old probe lens.

    • It features 85° AoV with a periscope

    • Users can easily switch the 90° periscope back to the 0° straight scope

    2x magnification allows for capturing subjects of different sizes with incredible detail. Users can poke the long and waterproof barrel into tight spaces and even underwater to obtain a unique perspective. The lens can rotate 360° along the axis by using the clutch mechanism to unlock the orientation ring. An LED Ring Lite provides a light source super close to the subject.

ARRI /ZEISS MACRO LENS SET

  • • 16mm T2.1
    • 24mm T2.1
    • 32mm T2.1
    • 40mm T2.1
    • 50mm T3.0
    • 100mm T3.0
    • 200mm T4.3

    These are the workhorses of the close-up world. Each is capable of extreme close focus with the 50mm and 100mm lenses achieving 1:1 magnification. These Macro lenses offer phenomenal sharp and contrasty images delivering pictures of breathtaking beauty.

Cooke FF Panchro Lens Set

  • • 21mm T2.2
    • 25mm T2.0
    • 32mm T2.0
    • 40mm T2.0
    • 50mm T2.0
    • 65mm MACRO T2.4
    • 75mm T2.0
    • 100mm T2.6

    The optics are designed to give maximum performance at full aperture with superior control of flare, distortion, and spherical aberration. The Academy Award® winning cam-style focus movement coupled with the added benefit of a large lens barrel diameter, allows for an increased number of focus markings, particularly at close focus. All Panchro/i Classic prime lenses are colour balanced, colour matched and compatible with other Cooke Lenses.